[The History of Napoleon Buonaparte by John Gibson Lockhart]@TWC D-Link book
The History of Napoleon Buonaparte

CHAPTER V
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Besides money, of which he made them disburse large sums, he demanded from each a tribute of pictures and statues, to be selected at the discretion of Citizen Monge and other French connoisseurs, who now attended his march for such purposes.
In modern warfare the works of art had hitherto been considered as a species of property entitled in all cases to be held sacred; and Buonaparte's violent and rapacious infraction of this rule now excited a mighty clamour throughout Europe.

Whether the new system originated with himself, or in the commands of the Directory, is doubtful.

But from this time the formation of a great national gallery of pictures and statues at Paris was considered as an object of the first importance; and every victorious general was expected to bring trophies of this kind in his train.

Whether the fine arts themselves are likely to be improved in consequence of the accumulation in any one place of such vast treasures as the Louvre were long exhibited, there has been, and will no doubt continue to be, much controversy.

It is certain that the arts of France derived no solid advantage from Napoleon's museum.


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