He was of middle stature, built strongly, but so clumsily as to border on deformity, and to give all his motions the ungainly awkwardness of a left-legged and left-handed man.

His hair, in arranging which men at that time, as at present, were very nice and curious, instead of being carefully cleaned and disposed into short curls, or else set up on end, as is represented in old paintings, in a manner resembling that used by fine gentlemen of our own day, escaped in sable negligence from under a furred bonnet, and hung in elf-locks, which seemed strangers to the comb, over his rugged brows, and around his very singular and unprepossessing countenance.

His keen, dark eyes were deep set beneath broad and shaggy eyebrows, and as they were usually bent on the ground, seemed as if they were themselves ashamed of the expression natural to them, and were desirous to conceal it from the observation of men.
At times, however, when, more intent on observing others, he suddenly raised them, and fixed them keenly on those with whom he conversed, they seemed to express both the fiercer passions, and the power of mind which could at will suppress or disguise the intensity of inward feeling.
The features which corresponded with these eyes and this form were irregular, and marked so as to be indelibly fixed on the mind of him who had once seen them.

Upon the whole, as Tressilian could not help acknowledging to himself, the Anthony Foster who now stood before them was the last person, judging from personal appearance, upon whom one would have chosen to intrude an unexpected and undesired visit.

His attire was a doublet of russet leather, like those worn by the better sort of country folk, girt with a buff belt, in which was stuck on the right side a long knife, or dudgeon dagger, and on the other a cutlass.