Chiswick, 1821.] Elizabeth received most graciously the homage of the Herculean porter, and, bending her head to him in requital, passed through his guarded tower, from the top of which was poured a clamorous blast of warlike music, which was replied to by other bands of minstrelsy placed at different points on the Castle walls, and by others again stationed in the Chase; while the tones of the one, as they yet vibrated on the echoes, were caught up and answered by new harmony from different quarters.
Amidst these bursts of music, which, as if the work of enchantment, seemed now close at hand, now softened by distant space, now wailing so low and sweet as if that distance were gradually prolonged until only the last lingering strains could reach the ear, Queen Elizabeth crossed the Gallery-tower, and came upon the long bridge, which extended from thence to Mortimer's Tower, and which was already as light as day, so many torches had been fastened to the palisades on either side.

Most of the nobles here alighted, and sent their horses to the neighbouring village of Kenilworth, following the Queen on foot, as did the gentlemen who had stood in array to receive her at the Gallery-tower.
On this occasion, as at different times during the evening, Raleigh addressed himself to Tressilian, and was not a little surprised at his vague and unsatisfactory answers; which, joined to his leaving his apartment without any assigned reason, appearing in an undress when it was likely to be offensive to the Queen, and some other symptoms of irregularity which he thought he discovered, led him to doubt whether his friend did not labour under some temporary derangement.
Meanwhile, the Queen had no sooner stepped on the bridge than a new spectacle was provided; for as soon as the music gave signal that she was so far advanced, a raft, so disposed as to resemble a small floating island, illuminated by a great variety of torches, and surrounded by floating pageants formed to represent sea-horses, on which sat Tritons, Nereids, and other fabulous deities of the seas and rivers, made its appearance upon the lake, and issuing from behind a small heronry where it had been concealed, floated gently towards the farther end of the bridge.
On the islet appeared a beautiful woman, clad in a watchet-coloured silken mantle, bound with a broad girdle inscribed with characters like the phylacteries of the Hebrews.

Her feet and arms were bare, but her wrists and ankles were adorned with gold bracelets of uncommon size.
Amidst her long, silky black hair she wore a crown or chaplet of artificial mistletoe, and bore in her hand a rod of ebony tipped with silver.

Two Nymphs attended on her, dressed in the same antique and mystical guise.
The pageant was so well managed that this Lady of the Floating Island, having performed her voyage with much picturesque effect, landed at Mortimer's Tower with her two attendants just as Elizabeth presented herself before that outwork.

The stranger then, in a well-penned speech, announced herself as that famous Lady of the Lake renowned in the stories of King Arthur, who had nursed the youth of the redoubted Sir Lancelot, and whose beauty 'had proved too powerful both for the wisdom and the spells of the mighty Merlin.