'No one in Norfolk Street knows it better; and if I were rich I should certainly employ the best models in London; but, being poor, I have taught myself to do without them.

An occasional model would only disturb my ideal conception of the figure, and be a positive impediment in my career.

As for painting by an artificial light,' he would continue, 'that is simply a knack I have found it necessary to acquire, my days being engrossed in the work of tuition.' At the moment when we must present him to our readers, Pitman was in his studio alone, by the dying light of the October day.

He sat (sure enough with 'unaffected simplicity') in a Windsor chair, his low-crowned black felt hat by his side; a dark, weak, harmless, pathetic little man, clad in the hue of mourning, his coat longer than is usual with the laity, his neck enclosed in a collar without a parting, his neckcloth pale in hue and simply tied; the whole outward man, except for a pointed beard, tentatively clerical.

There was a thinning on the top of Pitman's head, there were silver hairs at Pitman's temple.