[Marzio’s Crucifix and Zoroaster by F. Marion Crawford]@TWC D-Link book
Marzio’s Crucifix and Zoroaster

CHAPTER II
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A true artist in feeling, in the profound cultivation of his tastes, in the laborious patience with which he executed his designs, there was an element in his character and mind which was in direct contradiction with the essence of what art is.

If art can be said to depend upon anything except itself, that something is religion.

The arts began in religious surroundings, in treating religious subjects, and the history of the world from the time of the early Egyptians has shown that where genius has lost faith in the supernatural, its efforts to produce great works of lasting beauty in the sensual and material atmosphere of another century have produced comparatively insignificant results.

The science of silver-chiselling began, so far as this age is concerned, in the church.

The tastes of Francis the First directed the attention of the masters of the art to the making of ornaments for his mistresses, and for a time the men who had made chalices for the Vatican succeeded in making jewelry for Madame de Chateaubriand, Madame d'Etampes, and Diane de Poitiers.


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