Mr.Shepard, with the best intentions in the world, you will never accomplish your end.

Even if Miss Lizzie is only to play as an amateur, and is not intended for any thing higher, for which in fact she has not sufficient talent, you must pay some attention beforehand to the acquirement of a correct tone, and get rid of this robin-red-breast touch; and you must then endeavor, by scales and exercises of every kind, to give to her hands and fingers so much firmness, decision, and dexterity, that she can master her pieces, at least with a certain distinct tone and a tolerable touch.

You are not less in error in the choice of her pieces, which are far too difficult,--a fault of most teachers, even with the most skilful pupils.

The pieces which your pupils are to execute should be below their mechanical powers; for, otherwise, the struggle with difficulties robs the player of all confidence in the performance, and gives rise to stumbling, bungling, and hurry.

The mechanical powers should be cultivated by studies and exercises, in preference to pieces, at least to those of certain famous composers, who do not write in a manner adapted to the piano; or who, at any rate, regard the music as of more importance than the player.