[Piano and Song by Friedrich Wieck]@TWC D-Link bookPiano and Song CHAPTER III 4/8
The struggle over single difficult places destroys all pleasure, palsies talent, creates disgust, and, what is worse, it tends to render uncertain the confirmation of the faculty already partially acquired,--of _bringing out a fine legato tone, with loose and quiet fingers and a yielding, movable wrist, without the assistance of the arm_. You suppose that talent is especially wanting, and not merely good teachers; for otherwise, with the zealous pursuit of piano-playing in Saxony, we should produce hundreds who could, at least, play correctly and with facility, if not finely.
Here you are mistaken: we have, on the contrary, a great deal of musical talent.
There are, also, even in the provincial cities, teachers who are not only musical, but who also possess so much zeal and talent for teaching that many of their pupils are able to play tolerably well.
I will add further, that the taste for music is much more cultivated and improved, even in small places, by singing-societies and by public and private concerts, than was formerly the case.
We also have much better aids in instruction books, etudes, and suitable piano pieces; but still we find everywhere "jingling" and "piano-banging," as you express it, and yet no piano-playing. Let us consider this aspect of the subject a little more closely.
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