344; Eclecticism, 345; influence of the Tridentine Council, 347; the Mannerists, 348; Baroccio, 349; the Caracci, 350 _sqq._; studies of the Bolognese painters, 352; academical ideality, 354; Guido, Albani, Domenichino, 355 _sqq._; criticism of Domenichino's work, 359; the Italian Realists, 363 _sqq._; Lo Spada, 364; Il Guercino, 365; critical reaction against the Eclectics, 368; fundamental principles of criticism, 370 _sqq._ PAIX des Dames, i.

9, 16.
PALAZZO Vernio, Academy (musical) of the, ii.

340; distinguished composers of its school, 341.
PALEARIO, Aonio: his opinion of the Index, i.

197, 214.
PALESTRINA, Giovanni Pier Luigi: his birth and early musical training, ii.

323; uneventful life of the _Princeps Musicae_, 324; relations with the Congregation for Musical Reform, 325; the legend and the facts about _Missa Papae Marcelli_, 326 _sqq._, 331 _n._; Palestrina's commission, 331; the three Masses in competition, 332; the award by the Congregation and the Pope, 334; Palestrina's connection with S.Filippo Neri, 334; _Arie Divote_ composed for the Oratory, 335 _sq._; character of the new music, 335; influence of Palestrina on Italian music, 336; estimate of the general benefit derived by music from him, 337 _sq._ PALLAVICINI, on Paul IV.'s seal for the Holy Office, i.