119/200 200. 75, 114 _sq._, 124. 35; its dedication, 38, 47 _sq._; submitted by Tasso to censors, 43; their criticisms, 43 _sq._, 50; successful publication of the poem, 71; its subject-matter, 92; the romance of the epic, 93; Tancredi, the hero, 94; imitations of Dante and Virgil, 95 _sqq._; artificiality, 100; pompous cadences, 101; oratorical dexterity, 102; the similes and metaphors, _ib._; Armida, the heroine, 106. 147. 19. |