[Renaissance in Italy, Volumes 1 and 2 by John Addington Symonds]@TWC D-Link bookRenaissance in Italy, Volumes 1 and 2 CHAPTER V 18/151
159.] Even the ordinary police and guards of cities were composed of fugitives from other states, care being taken to select by preference those who came stained only with honorable bloodshed.
In 1593 the guard of the palace of Lucca was reinforced by the addition of forty-three men, among whom four were bandits for wounds inflicted upon enemies in open fight; twelve for homicide in duel, sword to sword; five for the murder of more than one person in similar encounters; one for the murder of a sister, and the wounding of her seducer; two for mutilating an enemy in the face; one for unlawful recruiting; one for wounding; one for countenancing bandits; and sixteen simple refugees.[185] The phrases employed to describe these men in the official report are sufficiently illustrative of contemporary moral standards.
Thus we read 'Banditi per omicidi semplici _da buono a buono_, a sangue caldo, da spada a spada, _o di nemici_.' 'Per omicidio d'una sorella _per causa d'onore_.' To murder an enemy, or a sister who had misbehaved herself, was accounted excusable. The prevalence of lawlessness encouraged a domestic custom which soon grew into a system.
This was the maintenance of so-called _bravi_ by nobles and folk rich enough to afford so expensive a luxury.
The outlaws found their advantage in the bargain which they drew with their employers; for besides being lodged, fed, clothed and armed, they obtained a certain protection from the spies and professional murderers who were always on the watch to kill them.
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