[Renaissance in Italy, Volumes 1 and 2 by John Addington Symonds]@TWC D-Link book
Renaissance in Italy, Volumes 1 and 2

CHAPTER III
119/124

Thus Hieronimo Malipieri rewrote the _Canzoniere_ of Petrarch, giving it a pious turn throughout; and the _Orlando Furioso_ was converted by several hands into a religious allegory.[154] [Footnote 153: This treatment of Ariosto is typical.

Men of not over scrupulous nicety may question whether his Comedies are altogether wholesome reading.

But not even a Puritan could find fault with his Satires on the score of their morality.

Yet Rome sanctioned the Comedies and forbade the Satires.] [Footnote 154: Curious details on this topic are supplied by Dejob, _op.
cit._ pp.

179-181, and p.


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