The depth of tone which had been appreciated so highly, it was found, was due to the famous Societe itself, to the character of the instruments and the execution.
Nevertheless, the hall is excellent, although it is no longer adequate for the presentation of modern compositions.

But it is a marvellous place for the numerous concerts given by virtuosi, both singers and instrumentalists, accompanied by an orchestra, and for chamber music.
Finally, the hall where France was introduced to the masterpieces of Haydn, Mozart and Beethoven, whose influence has been so profound, is a historic place.
Numerous improvements in the administration of the Conservatoire have been introduced during the last few years.

On the other hand, old and honored customs have disappeared and we can but regret their loss.

From Auber's time on there was a _pension_ connected with the Conservatoire.
Here the young singers who came from the provinces at eighteen found board and lodging, a regular life, and a protection from the temptations of a large city, so dangerous to fresh young voices.

Bouhy, Lassalle, Capoul, Gailhard and many others who have made the French stage famous came from this _pension_.
We also used to have dramatic recitals which were excellent both for the performers and the audiences as they gave works which were not in the usual repertoire.