[Seraphita by Honore de Balzac]@TWC D-Link book
Seraphita

CHAPTER II
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His face belonged to a type often painted by Rembrandt; the same small bright eyes, set in wrinkles and surmounted by thick gray eyebrows; the same white hair escaping in snowy flakes from a black velvet cap; the same broad, bald brow, and a contour of face which the ample chin made almost square; and lastly, the same calm tranquillity, which, to an observer, denoted the possession of some inward power, be it the supremacy bestowed by money, or the magisterial influence of the burgomaster, or the consciousness of art, or the cubic force of blissful ignorance.

This fine old man, whose stout body proclaimed his vigorous health, was wrapped in a dressing-gown of rough gray cloth plainly bound.

Between his lips was a meerschaum pipe, from which, at regular intervals, he blew the smoke, following with abstracted vision its fantastic wreathings,--his mind employed, no doubt, in assimilating through some meditative process the thoughts of the author whose works he was studying.
On the other side of the stove and near a door which communicated with the kitchen Minna was indistinctly visible in the haze of the good man's smoke, to which she was apparently accustomed.

Beside her on a little table were the implements of household work, a pile of napkins, and another of socks waiting to be mended, also a lamp like that which shone on the white page of the book in which the pastor was absorbed.

Her fresh young face, with its delicate outline, expressed an infinite purity which harmonized with the candor of the white brow and the clear blue eyes.


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