As Nicolas entered the tavern he was uttering frightful threats against the Michaud family and Les Aigues.
"The harvest's coming; well, I vow I'll not go before I've lighted my pipe at their wheat-stacks," he cried, striking his fist on the table as he sat down.
"Mustn't yelp like that before people," said Godain, showing him Pere Niseron.
"If the old fellow tells, I'll wring his neck," said Catherine.
"He's had his day, that old peddler of foolish reasons! They call him virtuous; it's his temperament that keeps him so, that's all." Strange and noteworthy sight!--that of those lifted heads, that group of persons gathered in the reeking hovel, while old Mother Tonsard stood sentinel at the door as security for the secret words of the drinkers.
Of all those faces, that of Godain, Catherine's suitor, was perhaps the most alarming, though the least pronounced.

Godain,--a miser without money,--the cruelest of misers, for he who seeks money surely takes precedence of him who hoards it, one turning his eagerness within himself, the other looking outside with terrible intentness,--Godain represented the type of the majority of peasant faces.
He was a journeyman, small in frame, and saved from the draft by not attaining the required military height; naturally lean and made more so by hard work and the enforced sobriety under which reluctant workers like Courtecuisse succumb.

His face was no bigger than a man's fist, and was lighted by a pair of yellow eyes with greenish strips and brown spots, in which a thirst for the possession of property was mingled with a concupiscence which had no heat,--for desire, once at the boiling-point, had now stiffened like lava.

His skin, brown as that of a mummy, was glued to his temples.

His scanty beard bristled among his wrinkles like stubble in the furrows.