"At my first being acquainted with the place," says this writer, in the 'Miseries of a Prison,' "the prisoners, methought, walking up and down the Stone Hall, looked like so many wrecks upon the sea.

Here the ribs of a thousand pounds beating against the Needles--those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare." In an angle of the Stone Hall was the Iron Hold, a chamber containing a vast assortment of fetters and handcuffs of all weights and sizes.

Four prisoners, termed "The Partners," had charge of this hold.

Their duty was to see who came in, or went out; to lock up, and open the different wards; to fetter such prisoners as were ordered to be placed in irons; to distribute the allowances of provision; and to maintain some show of decorum; for which latter purpose they were allowed to carry whips and truncheons.

When any violent outrage was committed,--and such matters were of daily, sometimes hourly, occurrence,--a bell, the rope of which descended into the hall, brought the whole of the turnkeys to their assistance.