25/45 A sort of shamefacedness prevents him from avowing it, as a boy at boarding-school hides his homesickness, or a lad his love. He shrinks from appearing less pachydermatous than the rest. But with Far Orientals the case is different. Nor is it still at that doubtful, hesitating stage when, by the instrumentality of a third, its soul-harmony can suddenly be changed from the jubilant major key into the despairing minor. No trace of sadness tinges his delight. |