It is remarkable that the Persepolitan sculptures, abounding as they do in representations of Court life, of the officers and attendants who approached at all closely to the person of the monarch, contain not a single figure of a eunuch in their entire range.

We may gather from this that there was at any rate a marked difference between the Assyrian and the early Persian Court in the position which eunuchs occupied at them respectively: we should not, however, be justified in going further and questioning altogether the employment of eunuchs by the Persian monarchs during the early period, since their absence from the sculptures may be accounted for on other grounds.
It is peculiarly noticeable in the Persian sculptures and inscriptions that they carry to excess that reserve which Orientals have always maintained with regard to women.

The inscriptions are wholly devoid of all reference to the softer sex, and the sculptures give us no representation of a female.

In Persia, at the present day, it is regarded as a gross indecorum to ask a man after his wife; and anciently it would seem that the whole sex fell under a law of taboo, which required that, whatever the real power and influence of women, all public mention of them, as well as all representations of the female form, should be avoided.

If this were so, it must of course still more have been the rule that the women--or, at any rate, those of the upper classes--should not be publicly seen.