[The Seven Great Monarchies Of The Ancient Eastern World, Vol 3. (of 7): Media by George Rawlinson]@TWC D-Link bookThe Seven Great Monarchies Of The Ancient Eastern World, Vol 3. (of 7): Media CHAPTER III 23/25
Polygamy, as usual, brought in its train the cruel practice of castration; and the court swarmed with eunuchs, chiefly foreigners purchased in their infancy. Towards the close of the Empire this despicable class appears to have been all-powerful with the monarch. Thus the tide of corruption gradually advanced; and there is reason to believe that both court and people had in a great measure laid aside the hardy and simple customs of their forefathers, and become enervated through luxury, when the revolt of the Persians came to test the quality of their courage, and their ability to maintain their empire.
It would be improper in this place to anticipate the account of this struggle, which must be reserved for the historical chapter; but the well-known result--the speedy and complete success of the Persians--must be adduced among the proofs of a rapid deterioration in the Median character between the accession of Cyaxares and the capture--less than a century later--of Astyages. We have but little information with respect to the state of the arts among the Medes.
A barbaric magnificence characterized, as has been already observed, their architecture, which differed from the Assyrian in being dependent for its effect on groups of pillars rather than on painting or sculpture.
Still sculpture was, it is probable, practised to some extent by the Medes, who, it is almost certain, conveyed on to the Persians those modifications of Assyrian types which meet us everywhere in the remains of the Achsemenian monarch? The carving of winged genii, of massive forms of bulls and lions, of various grotesque monsters, and of certain clumsy representations of actual life, imitated from the bas-reliefs of the Assyrians, may be safely ascribed to the Medes; since, had they not carried on the traditions of their predecessors, Persian art could not have borne the resemblance that it does to Assyrian.
But these first mimetic efforts of the Arian race have almost wholly perished, and there scarcely seems to remain more than a single fragment which can be assigned on even plausible grounds to the Median period.
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