When it was gone, they said she was cold.

Fortunately, her hair was not red, as her father's had been or she might sometimes have seemed positively ugly; it was of that deep ruddy, golden brown that one may often see in Venice still, and there was an abundance of it, though it was drawn straight back from her white forehead and braided into the smallest possible space, in the fashion of that time.

There was often a little colour in her face, though never much, and it was faint, yet very fresh, like the tint within certain delicate shells; her lips were of the same hue, but stronger and brighter, and they were very well shaped and generally closed, like her father's.

But her eyes were not like his, and the lids and lashes shaded them in such a way that it was hard to guess their colour, and they had an inscrutable, reserved look that was hard to meet for many seconds.

Zorzi believed that they were grey, but when he saw them in his dreams they were violet; and one day she opened them wide for an instant, at something old Beroviero said to her, and then Zorzi fancied that they were like sapphires, but before he could be sure, the lids and lashes shaded them again, and he only knew that they were there, and longed to see them, for her father had spoken of her marriage, and she had not answered a single word.
When they were alone together for a moment, while the old man was searching for more materials in the next room, she spoke to Zorzi.
"My father did not mean you to hear that," she said.
"Nevertheless, I heard," answered Zorzi, pushing a small piece of beech wood into the fire through a narrow slit on one side of the brick furnace.