These were coloured red, yellow, and white; and the eyes were the only features represented on the face.

Upon the highest bandage or roller a series of lines were painted in red, but, although so regularly done as to indicate that they have some meaning, it was impossible to tell whether they were intended to depict written characters or some ornament for the head.

This figure was so drawn on the roof that its feet were just in front of the natural seat, whilst its head and face looked directly down on anyone who stood in the entrance of the cave, but it was totally invisible from the outside.

The painting was more injured by the damp and atmosphere, and had the appearance of being much more defaced and ancient, than any of the others which we had seen.* (*Footnote.

This figure brings to mind the description of the Prophet Ezekiel: Men portrayed upon the wall, the images of the Chaldeans portrayed in vermilion, girded with girdles upon their loins, exceeding in dyed attire upon their heads, all of them princes to look to, after the manner of the Babylonians of Chaldea, the land of their nativity.
Chapter 23:14, 15.) OTHER PAINTINGS.
There were two other paintings, one on each of the rocks which stood on either side of the natural seat; they were carefully executed and yet had no apparent design in them; unless they were intended to represent some fabulous species of turtle; for the natives of Australia are generally fond of narrating tales of fabulous and extraordinary animals such as gigantic snakes, etc.
One of the party who appeared much amused at these different paintings walked straight up the cavern, gradually ascending the steps until he reached the slab at the end, and then, taking his hat off with a solemn air, seated himself; to his own, and our surprise, his bare head just touched the roof of the cave, and on examining this part of it we found it fairly polished, and very greasy, from all appearance caused by the constant rubbing against it of the head of a person whilst seated on the rock.