Another very striking piece of art was exhibited in the little gloomy cavities situated at the back of the main cavern.

In these instances some rock at the sides of the cavity had been selected, and the stamp of a hand and arm by some means transferred to it; this outline of the hand and arm was then painted black, and the rock about it white, so that on entering that part of the cave it appeared as if a human hand and arm were projecting through a crevice admitting light.
After having discovered this cave I returned to the party and, directing them to prepare for moving on, I ordered that as soon as all was ready they should proceed past the cave, so that all would have an opportunity of examining it, and in the meantime I returned in order to make sketches of the principal paintings.

The party soon arrived and, when my sketches and notes were completed, we retraced a portion of our route of this morning, moving round the sandstone ridge through one portion of which I saw a sort of pass which I thought might perhaps afford us a means of egress.

I therefore halted the party and moved up with Corporal Auger to examine it.

After proceeding some distance we found a cave larger than the one seen this morning; of its actual size however I have no idea, for being pressed for time I did not attempt to explore it, having merely ascertained that it contained no paintings.
INTAGLIO CUT IN A ROCK.
I was moving on when we observed the profile of a human face and head cut out in a sandstone rock which fronted the cave; this rock was so hard that to have removed such a large portion of it with no better tool than a knife and hatchet made of stone, such as the Australian natives generally possess, would have been a work of very great labour.