His real work was that of dramatic critic to a leading ministerial journal, in which he also wrote articles inspired by the ministers,--a very well understood, clearly defined, and quite unassailable position.

Du Bruel was not lacking in those diplomatic little tricks which go so far to conciliate general good-will.

He sent Madame Rabourdin an opera-box for a first representation, took her there in a carriage and brought her back,--an attention which evidently pleased her.

Rabourdin, who was never exacting with his subordinates allowed du Bruel to go off to rehearsals, come to the office at his own hours, and work at his vaudevilles when there.

Monsieur le Duc de Chaulieu, the minister, knew that du Bruel was writing a novel which was to be dedicated to himself.