The other portrait was that of an abbot, in the white gown and scapulary of the Cistertian order.

The countenance was proud and stern, but tinctured with melancholy.

In a small shield at one corner the arms were blazoned--argent, a fess between three mullets, sable, pierced of the field, a crescent for difference--proving it to be the portrait of John Paslew.

Both pictures had been found in the abbot's lodgings, when taken possession of by Richard Assheton, but they owed their present position to his descendant, Sir Ralph, who discovering them in an out-of-the-way closet, where they had been cast aside, and struck with their extraordinary merit, hung them up as above stated.
The long oaken table, usually standing in the middle of the hall, had been removed to one side, to allow free scope for dancing and other pastimes, but it was still devoted to hospitable uses, being covered with trenchers and drinking-cups, and spread for a substantial repast.
Near it stood two carvers, with aprons round their waists, brandishing long knives, while other yeomen of the kitchen and cellar were at hand to keep the trenchers well supplied, and the cups filled with strong ale, or bragget, as might suit the taste of the guests.

Nor were these the only festive preparations.