[Renaissance in Italy, Volume 1 (of 7) by John Addington Symonds]@TWC D-Link bookRenaissance in Italy, Volume 1 (of 7) CHAPTER IX 6/76
At length, however, came the time at which he felt that leave the world he must.
'It was on the 23d of April 1475,' says Villari; 'he was sitting with his lute and playing a sad melody; his mother, as if moved by a spirit of divination, turned suddenly round to him, and exclaimed mournfully, My son, that is a sign we are soon to part.
He roused himself, and continued, but with a trembling hand, to touch the strings of the lute, without raising his eyes from the ground.' This would make a picture: spring twilight in the quaint Italian room, with perhaps a branch of fig-tree or of bay across the open window; the mother looking up with anxious face from her needlework; the youth, with those terrible eyes and tense lips and dilated nostrils of the future prophet, not yet worn by years of care, but strongly marked and unmistakable, bending over the melancholy chords of the lute, dressed almost for the last time in secular attire. [1] Often in later life Savonarola cried that he had sought the cloister to find rest, but that God had chosen, instead of bringing him into calm waters, to cast him on a tempest-swollen sea.
See the Sermon quoted by Villari, vol.i.p.
298. On the very next day Girolamo left Ferrara in secret and journeyed to Bologna.
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