[Renaissance in Italy, Volume 1 (of 7) by John Addington Symonds]@TWC D-Link bookRenaissance in Italy, Volume 1 (of 7) CHAPTER VIII 32/79
The result was a wild phantasmagoric chaos of confused and clashing influences. Of this peculiar moral condition the records of the numerous tyrannicides supply many interesting examples.[1] Girolamo Olgiati offered prayers to S.Ambrose for protection before he stabbed the Duke of Milan in S.Stephen's Church.[2] The Pazzi conspirators, intimidated by the sanctity of the Florentine Duomo, had to employ a priest to wield the sacrilegious dagger.[3] Pietro Paolo Boscoli's last confession, after the failure of his attempt to assassinate the Medici in 1513, adds further details in illustration of the mixture of religious feeling with patriotic paganism.
Luca della Robbia, the nephew of the great sculptor of that name, and himself no mean artist, visited his friend Boscoli on the night of his execution, and wrote a minute account of their interview.
Both of these men were members of the Confraternita de' Neri, who assumed the duty of comforting condemned prisoners with spiritual counsel, prayer, and exhortation.
The narrative, dictated in the choicest vernacular Tuscan, by an artist whose charity and beauty of soul transpire in every line in contrast with the fiercer fortitude of Boscoli, is one of the most valuable original documents for this period which we possess.[4] What is most striking is the combination of deeply rooted and almost infantine piety with antique heroism in the young patriot.
He is greatly concerned because, ignorant of his approaching end, he had eaten a hearty supper: 'Son troppo carico di cibo, et ho mangiatccose insalate; in modo che non mi pare poter unir Io spirito a Dio ...
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