[Renaissance in Italy, Volume 1 (of 7) by John Addington Symonds]@TWC D-Link book
Renaissance in Italy, Volume 1 (of 7)

CHAPTER VII
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16, 1875.
At this distance of time, and without further details of evidence, we are unable to decide whether Alexander's death was natural, or whether the singularly circumstantial and commonly accepted story of the poisoned wine contained the truth.

On the one side, in favor of the hypothesis of fever, we have Burchard's testimony, which does not, however, exactly agree with Giustiniani's, who reported apoplexy to the Venetian senate as the cause of death, and whose report, even at Venice, was rejected by Sanudo for the hypothesis of poison.

On the other side, we have the consent of all contemporary historians, with the single and, it must be allowed, remarkable exception of Machiavelli.

Paolo Giovio goes even so far as to assert that the Cardinal Corneto told him he had narrowly escaped from the effects of antidotes taken in his extreme terror to counteract the possibility of poison.
Whatever may have been the proximate cause of his sickness, Alexander died, a black and swollen mass, hideous to contemplate, after a sharp struggle with the venom he had absorbed.[1] 'All Rome,' says Guicciardini, 'ran with indescribable gladness to view the corpse.

Men could not satiate their eyes with feeding on the carcass of a serpent who, by his unbounded ambition and pestiferous perfidy, by every demonstration of horrible cruelty, monstrous lust, and unheard-of avarice, selling without distinction things sacred and profane, had filled the world with venom.' Cesare languished for some days on a sick bed; but in the end, by the aid of a powerful constitution, he recovered, to find his claws cut and his plans in irretrievable confusion.


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