[Renaissance in Italy, Volume 1 (of 7) by John Addington Symonds]@TWC D-Link book
Renaissance in Italy, Volume 1 (of 7)

CHAPTER VI
19/50

he had laid bare the whole of his past history before the Florentine secretary, and had pointed out the single weakness of which he felt himself to have been guilty.

In these trials of skill and this exchange of confidence it is impossible to say which of the two gamesters may have been the more deceived.

But Machiavelli felt that the Borgia supplied him with a perfect specimen for the study of the arts of statecraft; and so deep was the impression produced upon his mind, that even after the utter failure of Cesare's designs he made him the hero of the political romance before us.

His artistic perception of the perfect and the beautiful, both in unscrupulous conduct and in frigid calculation of conflicting interests, was satisfied by the steady selfishness, the persistent perfidy, the profound mistrust of men, the self-command in the execution of perilous designs, the moderate and deliberate employment of cruelty for definite ends, which he observed in the young Duke, and which he has idealized in his own _Principe_.

That nature, as of a salamander adapted to its element of fire, as of 'a resolute angel that delights in flame,' to which nothing was sacred, which nothing could daunt, which never for a moment sacrificed reason to passion, which was incapable of weakness or fatigue, had fascinated Machiavelli's fancy.


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