[Renaissance in Italy, Volume 1 (of 7) by John Addington Symonds]@TWC D-Link book
Renaissance in Italy, Volume 1 (of 7)

CHAPTER VI
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CHAPTER VI.
'THE PRINCE' OF MACHIAVELLI.
The Sincerity of Machiavelli in this Essay--Machiavellism--His deliberate Formulation of a cynical political Theory--Analysis of the Prince--Nine Conditions of Principalities--The Interest of the Conqueror acknowledged as the sole Motive of his Policy--Critique of Louis XII .-- Feudal Monarchy and Oriental Despotism--Three Ways of subduing a free City--Example of Pisa--Principalities founded by Adventurers--Moses, Romulus, Cyrus, Theseus--Savonarola--Francesco Sforza--Cesare Borgia--Machiavelli's personal Relation to him--Machiavelli's Admiration of Cesare's Genius--A Sketch of Cesare's Career--Concerning those who have attained to Sovereignty by Crimes--Oliverotto da Fermo--The Uses of Cruelty--Messer Ramiro d' Orco--The pessimistic Morality of Machiavelli--On the Faith of Princes--Alexander VI .-- The Policy of seeming virtuous and honest--Absence of chivalrous Feeling in Italy--The Military System of a powerful Prince--Criticism of Mercenaries and Auxiliaries--Necessity of National Militia--The Art of War--Patriotic Conclusion of the Treatise--Machiavelli and Savonarola.
After what has been already said about the circumstances under which Machiavelli composed the _Principe_, we are justified in regarding it as a sincere expression of his political philosophy.

The intellect of its author was eminently analytical and positive; he knew well how to confine himself within the strictest limits of the subject he had chosen.

In the _Principe_ it was not his purpose to write a treatise of morality, but to set forth with scientific accuracy the arts which he considered necessary to the success of an absolute ruler.

We may therefore accept this essay as the most profound and lucid exposition of the principles by which Italian statesmen were guided in the sixteenth century.

That Machiavellism existed before Machiavelli has now become a truism.


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