[Renaissance in Italy, Volume 1 (of 7) by John Addington Symonds]@TWC D-Link book
Renaissance in Italy, Volume 1 (of 7)

CHAPTER IV
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At the same time they showed consummate caution in the conduct of the state, and expended large sums on works of public utility.

There was nothing mean in their ambition; and though posterity must condemn the arts by which they sought to sap the foundations of freedom in their native city, we are forced to acknowledge that they shared the noblest enthusiasms of their brilliant era.

Little by little they advanced so far in the enslavement of Florence that the elections of all the magistrates, though still conducted by lot, were determined at their choice: the names of none but men devoted to their interests were admitted to the bags from which the candidates for office were selected, while proscriptive measures of various degrees of rigor excluded their enemies from participation in the government.[1] At length in 1480 the whole machinery of the republic was suspended by Lorenzo de' Medici in favor of the Board of Seventy, whom he nominated, and with whom, acting like a Privy Council, he administered the state.[2] It is clear that this revolution could never have been effected without a succession of coups d'etat.

The instrument for their accomplishment lay ready to the hands of the Medicean party in the pernicious system of the Parlamento and Balia, by means of which the people, assembled from time to time in the public square, and intimidated by the reigning faction, intrusted full powers to a select committee nominated in private by the chiefs of the great house.[3] It is also clear that so much political roguery could not have been successful without an extensive demoralization of the upper rank of citizens.

The Medici in effect bought and sold the honor of the public officials, lent money, jobbed posts of profit, and winked at peculation, until they had created a sufficient body of _ames damnees_, men who had everything to gain by a continuance of their corrupt authority.


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