We take it for granted that the painter balances perfectly the forms in his painting, groups them so that an internal symmetry can be felt and that the lines and curves and colors blend into a unity.

Every single picture of the sixteen thousand which are shown to us in one reel ought to be treated with this respect of the pictorial artist for the unity of the forms.
_The photoplay shows us a significant conflict of human actions in moving pictures which, freed from the physical forms of space, time, and causality, are adjusted to the free play of our mental experiences and which reach complete isolation from the practical world through the perfect unity of plot and pictorial appearance._.