This fountainlike spray of pictures has completely overcome the causal world.
In an entirely different form this triumph over causality appears in the interruption of the events by pictures which belong to another series.
We find this whenever the scene suddenly changes.

The processes are not carried to their natural consequences.

A movement is started, but before the cause brings its results another scene has taken its place.

What this new scene brings may be an effect for which we saw no causes.

But not only the processes are interrupted.