[The Photoplay by Hugo Muensterberg]@TWC D-Link book
The Photoplay

CHAPTER V
9/27

In our mind past and future become intertwined with the present.

The photoplay obeys the laws of the mind rather than those of the outer world.
But the play of memory and imagination can have a still richer significance in the art of the film.

The screen may produce not only what we remember or imagine but what the persons in the play see in their own minds.

The technique of the camera stage has successfully introduced a distinct form for this kind of picturing.

If a person in the scene remembers the past, a past which may be entirely unknown to the spectator but which is living in the memory of the hero or heroine, then the former events are not thrown on the screen as an entirely new set of pictures, but they are connected with the present scene by a slow transition.


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