[Gladys, the Reaper by Anne Beale]@TWC D-Link book
Gladys, the Reaper

CHAPTER IV
11/18

Scattered about the room are play-books without number, from Shakspeare to the dramatists of the present day; and, interspersed with these, collections of songs of all countries and of all grades of merit.

Some few novels, mostly French, live with the plays and songs; and Latin, French, German, Italian, Welsh, Spanish, and English grammars and dictionaries take up their abode in every available corner.

A quantity of fishing tackle and a gun are thrown upon the window seat, and an embroidered waistcoat, blue satin cravat, and a pair of yellow kid gloves lie on an unoccupied chair.
From the general appearance of this room, the imagination would conceive great things of its inmate.

All we shall here say is that he is one who has the reputation of being a natural genius, and firmly believes that he is one.
As all natural geniuses are supposed to have something very remarkable in their appearance, we will just take a sketch of the miser's son, as he alternately leans on the table or stalks about the room during his earnest conversation with his cousin.

He has decidedly sentimental hair; long, black, shining, and with a tendency to curl; he has what might be termed poetical eyes, bright, piercing, and very restless; the sharp, aquiline nose of his father, slightly modified; and a mouth and brow which curl and knit in a manner that may be poetic, but might be disagreeable, under less soothing influences.


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