Nor was that all, for the actors were driven off the stage, and happy was it for the author that he did not fall into the hands of this furious assembly." And the Abbe proceeds to explain that the originators of this disturbance were not "schoolboys, apprentices, clerks, or mechanics," but lawyers, "a body of gentlemen perhaps less honoured, but certainly more feared here than they are in France," who, "from living in colleges (Inns of Court), and from conversing always with one another, mutually preserve a spirit of independency through the body, and with great ease form cabals....

At Paris the cabals of the pit are only among young fellows, whose years may excuse their folly, or persons of the meanest education and stamp; here they are the fruit of deliberation in a very grave body of people, who are not less formidable to the minister in place than to the theatrical writers." But the Abbe relates that on a subsequent occasion, when another new play having been announced, he had looked for further disturbance, the judicious dramatist of the night succeeded in calming the pit by administering in his prologue a double dose of incense to their vanity.

"Half-an-hour before the play was to begin the spectators gave notice of their dispositions by frightful hisses and outcries, equal, perhaps, to what were ever heard at a Roman amphitheatre." The author, however, having in part tamed this wild audience by his flattery, secured ultimately its absolute favour by humouring its prejudices after the grossest fashion.

He brought upon the stage a figure "with black eyebrows, a ribbon of an ell long under his chin, a bag-peruke immoderately powdered, and his nose all bedaubed with snuff.

What Englishman could not know a Frenchman by this ridiculous figure ?" The Frenchman was presently shown to be, for all the lace down every seam of his coat, nothing but a cook, and then followed severe satire and criticism upon the manners and customs of France.