9/23 In operatic performances, however, the words are of very inferior importance to the music; the composer quite eclipses the author. A musician has been known to call a libretto the "verbiage" of his opera. The term was not perhaps altogether inappropriate. Even actors are apt to underrate the importance of the speeches they are called upon to deliver, laying the greater stress upon the "business" they propose to originate, or the scenic effects that are to be introduced into the play. They sometimes describe the words of their parts as "cackle." But perhaps this term also may be accepted as applying, fitly enough, to much of the dialogue of the modern drama. |