[A Book of the Play by Dutton Cook]@TWC D-Link bookA Book of the Play CHAPTER XVII 5/23
But a change of the kind indicated would certainly be energetically denounced by a number of very respectable and sensible people as "un-English," an objection that is generally regarded as quite final and convincing, although it is conceivable, at any rate, that a thing may be of fair value and yet of foreign origin.
"Gad, sir, if a few very sensible persons had been attended to we should still have been champing acorns!" observed Luttrell the witty, when certain enlightened folk strenuously opposed the building of Waterloo Bridge on the plea that it would spoil the river! It is certain, however, that with the first introduction here of operatic performances came the gipsy-tent, or hut, of the prompter. The singers voted it quite indispensable.
It was much ridiculed, of course, by the general public.
It was even made the special subject of burlesque on a rival stage.
A century ago the imbecility was indulged in of playing "The Beggar's Opera" with "the characters reversed," as it was called; that is to say, the female characters were assumed by the actors, the male by the actresses.
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