24/41 Bassett was not the vulgar, intimate good-fellow who slapped every man on the back--the teller of good stories over a glass of whiskey and a cigar. He was, as Pettit had said, a new type, not of the familiar _cliche_. The decanter was a "property" placed in the scene at the dictates of hospitality; the checkerboard canceled any suggestion of conviviality that might have been conveyed by the decanter of whiskey. It was a hand that would deal few blows, but hard ones. Harwood was aware, at a moment when he began to be bored by the bald facts of local history, that Bassett had abruptly switched the subject. |