[A Wanderer in Holland by E. V. Lucas]@TWC D-Link book
A Wanderer in Holland

CHAPTER VI
12/15

These, however, were not for sale: these were decoys; the saleable birds lay, packed far too close, in little wooden boxes in the man's bag.

And Scheveningen to me means no longer a mile of palaces, no longer a "hot huddle of humanity" on the sand among myriad sentry-boxes: its symbol is just two Black-Headed Mannikins.
From the Curhaus it is better to return to the Hague by electric tram along the new road.

Save for passing a field where the fishwives of Scheveningen in their blue shawls spread and mend their nets, this road is dull and suburban; but from it, when the light is failing, a view of Scheveningen's domes and spires may be gained which, softened and made mysterious by the gloaming, translates the chief watering-place of Holland into an Eastern city of romance.
The fishwives of Scheveningen, I am told, carry the art of petticoat wearing to a higher point than any of their sisters.

The appearance of the homing fleet in the offing is a signal for as many as thirty of these garments to be put on as a mark of welcome to a returning husband.
Probably no shore anywhere in the world has been so often painted as that of Scheveningen--ever since the painting of landscape seemed a worthy pursuit.

James Maris' pictures of Scheveningen's wet sand, grey sea, and huge flat-bottomed ships must run into scores; Mesdag's too.


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