[A Wanderer in Holland by E. V. Lucas]@TWC D-Link book
A Wanderer in Holland

CHAPTER V
17/36

I decided again, and again uncertainty conquered.

And then I made a final examination, and chose No.

64--a totally new choice--a little lovely Corot, depicting a stream, two women, much essential greenness, and that liquid light of which Corot had the secret.
But I am not sure that the Diaz (who began by being an old master) is not the more exquisite picture.
For the rest, there are other Corots, among them one of his black night pieces; a little village scene by Troyon; some apples by Courbet, in the grandest manner surely in which apples ever were painted; a Monticelli; a scene of hills by Georges Michel which makes one wish he had painted the Sussex Downs; a beautiful chalk drawing by Millet; some vast silent Daubignys; a few Mauves; a very interesting early James Maris in the manner of Peter de Hooch, and a superb later James Maris--wet sand and a windy sky.
The flower of the French romantic school is represented here, brought together by a collector with a sure eye.

No visitor to The Hague who cares anything for painting should miss it; and indeed no visitor who cares nothing for painting should miss it, for it may lure him to wiser ways.
The Binnenhof is a mass of medieval and later buildings extending along the south side of the Vyver, which was indeed once a part of its moat.

The most attractive view of it is from the north side of the Vyver, with the long broken line of roof and gable and turret reflected in the water.


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