There is no unique creative purpose in it to bind the whole together; it might be cut into pieces, each capable of wriggling amusingly by itself.

The gradual corruption of the heroine's virtue, which is the encompassing scheme of the tale, is too thin as well as too common an artistic envelope; the incidents burst through it at so many points that it becomes a shapeless mass.

But in _Robinson Crusoe_ we have real growth from a vigorous germ.

The central idea round which the tale is organized, the position of a man cast ashore on a desert island, abandoned to his own resources, suddenly shot beyond help or counsel from his fellow-creatures, is one that must live as long as the uncertainty of human life.
The germ of _Robinson Crusoe,_ the actual experience of Alexander Selkirk, went floating about for several years, and more than one artist dallied with it, till it finally settled and took root in the mind of the one man of his generation most capable of giving it a home and working out its artistic possibilities.

Defoe was the only man of letters in his time who might have been thrown on a desert island without finding himself at a loss what to do.