"I should sleep all the afternoon, I know, if I took a heavy meal in the middle of the day." "What's the very latest thing in literature ?" Mary asked, good-humoredly pointing to the yellow-covered volume beneath Mr.Clacton's arm, for he invariably read some new French author at lunch-time, or squeezed in a visit to a picture gallery, balancing his social work with an ardent culture of which he was secretly proud, as Mary had very soon divined.
So they parted and Mary walked away, wondering if they guessed that she really wanted to get away from them, and supposing that they had not quite reached that degree of subtlety.

She bought herself an evening paper, which she read as she ate, looking over the top of it again and again at the queer people who were buying cakes or imparting their secrets, until some young woman whom she knew came in, and she called out, "Eleanor, come and sit by me," and they finished their lunch together, parting on the strip of pavement among the different lines of traffic with a pleasant feeling that they were stepping once more into their separate places in the great and eternally moving pattern of human life.
But, instead of going straight back to the office to-day, Mary turned into the British Museum, and strolled down the gallery with the shapes of stone until she found an empty seat directly beneath the gaze of the Elgin marbles.

She looked at them, and seemed, as usual, borne up on some wave of exaltation and emotion, by which her life at once became solemn and beautiful--an impression which was due as much, perhaps, to the solitude and chill and silence of the gallery as to the actual beauty of the statues.

One must suppose, at least, that her emotions were not purely esthetic, because, after she had gazed at the Ulysses for a minute or two, she began to think about Ralph Denham.

So secure did she feel with these silent shapes that she almost yielded to an impulse to say "I am in love with you" aloud.