[Ursula by Honore de Balzac]@TWC D-Link book
Ursula

CHAPTER XII
10/12

The doctor's cold manner surprised every one.
"Ursula, my child," he said, "give us a little music." While the young girl, delighted to have something to do to keep her in countenance, went to the piano and began to move the green-covered music-books, the heirs resigned themselves, with many demonstrations of pleasure, to the torture and the silence about to be inflicted on them, so eager were they to find out what was going on between their uncle and the Portendueres.
In sometimes happens that a piece of music, poor in itself, when played by a young girl under the influence of deep feeling, makes more impression than a fine overture played by a full orchestra.

In all music there is, besides the thought of the composer, the soul of the performer, who, by a privilege granted to this art only, can give both meaning and poetry to passages which are in themselves of no great value.

Chopin proves, for that unresponsive instrument the piano, the truth of this fact, already proved by Paganini on the violin.

That fine genius is less a musician than a soul which makes itself felt, and communicates itself through all species of music, even simple chords.
Ursula, by her exquisite and sensitive organization, belonged to this rare class of beings, and old Schmucke, the master, who came every Saturday and who, during Ursula's stay in Paris was with her every day, had brought his pupil's talent to its full perfection.

"Rousseau's Dream," the piece now chosen by Ursula, composed by Herold in his young days, is not without a certain depth which is capable of being developed by execution.


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