A tone of literary distinction was imparted to the group by the presence of Augusta Smith, better known under her pen-name of Rhapsodic Pantril, author of a play that had had a limited but well-advertised success in Sheffield and the United States of America, author also of a book of reminiscences, entitled "Things I Cannot Forget." She had beautiful eyes, a knowledge of how to dress, and a pleasant disposition, cankered just a little by a perpetual dread of the non-recognition of her genius.

As the woman, Augusta Smith, she probably would have been unreservedly happy; as the super-woman, Rhapsodic Pantril, she lived within the border-line of discontent.

Her most ordinary remarks were framed with the view of arresting attention; some one once said of her that she ordered a sack of potatoes with the air of one who is making enquiry for a love-philtre.
"Do you see what colour the curtain is ?" she asked Cicely, throwing a note of intense meaning into her question.
Cicely turned quickly and looked at the drop-curtain.
"Rather a nice blue," she said.
"Alexandrine blue--my colour--the colour of hope," said Rhapsodie impressively.
"It goes well with the general colour-scheme," said Cicely, feeling that she was hardly rising to the occasion.
"Say, is it really true that His Majesty is coming ?" asked the lively American dowager.

"I've put on my nooest frock and my best diamonds on purpose, and I shall be mortified to death if he doesn't see them." "There!" pouted Ronnie, "I felt certain you'd put them on for me." "Why no, I should have put on rubies and orange opals for you.

People with our colour of hair always like barbaric display--" "They don't," said Ronnie, "they have chaste cold tastes.