And in many things they hold the same opinions with the Greeks: saying that the universe was begotten and will be destroyed, and that the world is a sphere, which the god who made and owns it pervades throughout; that there are different beginnings of all things, but water is the beginning of world-making, while, in addition to the four elements, there is, as fifth, a kind of nature, whence came the sky and the stars....

And concerning the seed of things and the soul they have much to say also, whereby they weave in myths, just as does Plato, in regard to the soul's immortality, judgment in hell, and such things."[1] And as India conspicuously is a country of creeds, so is its literature preeminently priestly and religious.

From the first Veda to the last Pur[=a]na, religion forms either the subject-matter of the most important works, or, as in the case of the epics,[2] the basis of didactic excursions and sectarian interpolations, which impart to worldly themes a tone peculiarly theological.

History and oratory are unknown in Indian literature.

The early poetry consists of hymns and religious poems; the early prose, of liturgies, linguistics, "law," theology, sacred legends and other works, all of which are intended to supplement the knowledge of the Veda, to explain ceremonies, or to inculcate religious principles.