In regard to the Aryanhood of the hymns, the stand taken by these latter critics, who renounce even Bergaigne's slight hold on mythology, is that the Rig Veda is thoroughly Indic.

It is to be explained by the light of the formal Hindu ritualism, and even by epic worldliness, its fresh factors being lewd gods, harlots, and race-horses.

Bloomfield, who does not go so far as this, claims that the 'Vedic' age really is a Brahmanic age; that Vedic religion is saturated with Brahmanic ideas and Brahmanic formalism, so that the Rig Veda ought to be looked upon as made for the ritual, not the ritual regarded as ancillary to the Rig Veda[18].

This scholar maintains that there is scarcely any chronological distinction between the hymns of the Rig Veda and the Br[=a]hmana, both forms having probably existed together "from earliest times"; and that not a single Vedic hymn "was ever composed without reference to ritual application"; nay, all the hymns were "liturgical from the very start"[19].

This is a plain advance even on Bergaigne's opinion, who finally regarded all the family-books of the Rig Veda as composed to subserve the _soma_-cult.[20] In the Rig Veda occur hymns of an entirely worldly character, the lament of a gambler, a humorous description of frogs croaking like priests, a funny picture of contemporary morals [describing how every one lusts after wealth], and so forth.