[Manual Of Egyptian Archaeology And Guide To The Study Of Antiquities In Egypt by Gaston Camille Charles Maspero]@TWC D-Link bookManual Of Egyptian Archaeology And Guide To The Study Of Antiquities In Egypt CHAPTER V 9/189
111), which one picks up at Taud, to the south of Thebes, are barely roughed out, the amethyst and green felspar of which they are made having presented an almost unconquerable resistance to the point, saw, drill, and wheel.
The belt-buckles, angles, and head-rests in red jasper, carnelian, and hematite, are, on the contrary, finished to the minutest details, notwithstanding that carnelian and red jasper are even harder than green felspar.
Lapis lazuli is insufficiently homogeneous, almost as hard as felspar, and seems as if it were incapable of being finely worked.
Yet the Egyptians have used it for images of certain goddesses--Isis, Nephthys, Neith, Sekhet,--which are marvels of delicate cutting.
The modelling of the forms is carried out as boldly as if the material were more trustworthy, and the features lose none of their excellence if examined under a magnifying glass.
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