[Manual Of Egyptian Archaeology And Guide To The Study Of Antiquities In Egypt by Gaston Camille Charles Maspero]@TWC D-Link bookManual Of Egyptian Archaeology And Guide To The Study Of Antiquities In Egypt CHAPTER IV 96/135
His large eyes (again in enamel) have the fixed look of one who waits vacantly, without making any effort to concentrate his sight or his thoughts upon a definite object.
The face lacks both intelligence and vivacity; but his work, after all, called for no special nimbleness of wit.
Khafra is in diorite; Raemka and his wife are carved in wood; the other statues named are of limestone; yet, whatever the material employed, the play of the chisel is alike free, subtle, and delicate.
The head of the scribe and the bas-relief portrait of Pharaoh Menkauhor, in the Louvre, the dwarf Nemhotep (fig.
195), and the slaves who prepare food- offerings at Gizeh, are in no wise inferior to the "Cross-legged Scribe" or the "Sheikh el Beled." The baker kneading his dough (fig.
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