To me, after my first two interviews, he was as plain as print; I saw him to be perfectly selfish, with a perfect innocency in the same; and I would harken to his swaggering talk (of arms, and "an old soldier," and "a poor Highland gentleman," and "the strength of my country and my friends") as I might to the babbling of a parrot.
The odd thing was that I fancy he believed some part of it himself, or did at times; I think he was so false all through that he scarce knew when he was lying; and for one thing, his moments of dejection must have been wholly genuine.

There were times when he would be the most silent, affectionate, clinging creature possible, holding Catriona's hand like a big baby, and begging of me not to leave if I had any love to him; of which, indeed, I had none, but all the more to his daughter.

He would press and indeed beseech us to entertain him with our talk, a thing very difficult in the state of our relations; and again break forth in pitiable regrets for his own land and friends, or into Gaelic singing.
"This is one of the melancholy airs of my native land," he would say.
"You may think it strange to see a soldier weep, and indeed it is to make a near friend of you," says he.

"But the notes of this singing are in my blood, and the words come out of my heart.

And when I mind upon my red mountains and the wild birds calling there, and the brave streams of water running down, I would scarce think shame to weep before my enemies." Then he would sing again, and translate to me pieces of the song, with a great deal of boggling and much expressed contempt against the English language.