CHAPTER.
THE MAN I RECORDS AND EVENTS II PERSONAL TRAITS AND VIEWS THE MUSIC-MAKER III HIS ART AND ITS METHODS IV EARLY EXPERIMENTS V A MATURED IMPRESSIONIST VI THE SONATAS VII THE SONGS VIII SUMMARY LIST OF WORKS ILLUSTRATIONS PLATE NO.
I EDWARD MACDOWELL (Frontispiece) II MACDOWELL AT FOURTEEN From a sketch drawn by himself III MACDOWELL AT EIGHTEEN, AS A MEMBER OF RAFF'S CLASS AT THE FRANKFORT CONSERVATORY IV A SKETCH OF LISZT BY MACDOWELL, DRAWN IN 1883 V FACSIMILE OF A LETTER FROM LISZT TO MACDOWELL VI A LETTER FROM LISZT TO MACDOWELL ACCEPTING THE DEDICATION OF THE FIRST PIANO CONCERTO VII MACDOWELL AND TEMPLETON STRONG From a photograph taken at Wiesbaden in 1888 VIII MACDOWELL IN 1892 IX FACSIMILE OF A LETTER FROM GRIEG TO MACDOWELL, ACCEPTING THE DEDICATION OF THE "NORSE" SONATA.

ONE OF GRIEG'S RARE ATTEMPTS AT ENGLISH COMPOSITION X THE HOUSE AT PETERBORO, NEW HAMPSHIRE, WHERE MACDOWELL SPENT HIS SUMMERS XI THE PIAZZA AND GARDEN WALK AT PETERBORO XII A WINTER VIEW OF THE PETERBORO HOUSE XIII THE "HOUSE OF DREAMS UNTOLD"-- THE LOG CABIN IN THE WOODS AT PETERBORO WHERE MACDOWELL COMPOSED, AND WHERE MOST OF HIS LATER MUSIC WAS WRITTEN XIV FACSIMILE OF A PORTION OF THE MS.

OF THE "SONATA TRAGICA" XV FACSIMILE OF A PASSAGE FROM THE ORIGINAL MS.

OF THE "KELTIC" SONATA XVI THE MUSIC-ROOM AT PETERBORO ...

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