He gave me, I remember, a recent portrait of the Viceroy to fix my eye upon, doubtless with the purpose of inspiring my countenance with the devotion which would sit suitably upon one of His Excellency's slaves, and when it was all over he conducted me into another apartment in order that I might see the very latest viceregal group--a domestic one, including the Staff.

The walls of the room contained what is usually there, the enlarged photograph, the coloured photograph, the amateur theatrical group, the group of His Excellency's Executive Council, the native dignitary with a diamond-tipped aigrette in the front of his turban.

The copy in oils of some old Italian landscape, very black and yellow, also held its invariable place, and above it, very near the ceiling, a line of canvases which, had I not been led past them to inspect our ruler and his family, who sat transfixed on an easel in a resplendent frame, would probably have escaped my attention.

I did proper homage to the easel, and then turned to those pictures.

It was plain enough who had painted them.